One year ago, Nightdive, after deciding the project had veered off course and deviated too far from the original game. But after walking around freely in the latest build for half an hour, I can say that this feels like a Shock game in the ways that matter. System shock remastered. At GDC on Monday, a year after I played the barebones back-to-basics demo Nightdive put together, I got to play the real thing. Citadel Station has been fully blocked out, its starting areas have shambling mutants and angry robots, there are audio logs, and there is SHODAN.There's a certain retro chunkiness to the graphics: Not a lack of detail, but a style of square corridors and sharp angles and big glowing buttons that all feel like they'd be at home in a '90s gameI've played some of the original System Shock, but I can't speak to the minutiae of exactly how Nightdive's remake does and doesn't compare to that game.

Contents.Plot In the beginning, the protagonist, Stafy, known as Starfy in Western regions, was moving things around his home, Pufftop Palace, until he tripped and dropped some things he was moving. One of them fell into the ocean, which was the Magic Jar, an object that seals the antagonist of the game known as Ogura. Meanwhile, a very severe with two shook Starfy out of his home into the ocean. Later, Old Man Lobber encountered Starfy, and told him about the Magic Jar and Ogura, while he helped Starfy get back home, by making him do some swimming lessons, as well as giving directions. While Starfy was heading back home, he encountered some people he didn't know before, such as the clam, and decided to help them with their problems, like finding their missing items, defeating enemies, and so on, until Starfy and his friends fought and brought back Ogura into the Magic Jar to restore peace.Gameplay Starfy himself can run, jump, and attack via spinning; he also gains access to various transportation objects and animal familiars as the games progress. The game usually consists of multiple stages or worlds, with each stage split up into four sub-stages. Boss characters hide at the end of each world's final sub-stage.

Nov 26, 2012  To wrap up the Starfy series, we take a look at the series' fifth installment: The Legendary Starfy. This Playthrough will go for 100%, but like always, I will not be collecting Pearls to buy.

Most of the other sub-stages' goals are centered on retrieving a lost or stolen item for another character. The main task is to meet characters and find their missing items. There are many items to collect and many enemies to defeat. Players can move Starfy on land by running and jumping, but when Starfy is in watery areas, they can move him much more freely, make him push obstacles, and so on. The game also includes minigames, some of which are similar to 's series.Development.

Screenshot of the cancelled prototype.Back in November 1995, Nintendo's producer Hitoshi Yamagami received a directive from Tose's producer, Yasuhiro Minamimoto, asking if Hitoshi could come up with a kind of floaty platformer, then started developing it. Six months of work later, Hitoshi thought of a floating character being pushed through a maze. They tried developing a balloon-lifting game, but Hitoshi and Yasuhiro were having difficulties moving the balloon toward wherever they wanted, making the project uninteresting and annoying in their opinions. Hitoshi asked if they could take control of the floating character as opposed to just pushing it around. As long as things were floating around, Hitoshi and Yasuhiro decided a water-based character would be a decent idea. They thought as far as a character that would fit that environment, perhaps a jellyfish or starfish would be a good character.

They also changed direction on the project a bit and it was then that the project went through a period of trouble and it wasn't until March 1998 that the project began to come to fruition.Later in 1998, Hitoshi and Yasuhiro were going through the process of changing over from the to the, so orders came down that Nintendo wanted Hitoshi and Yasuhiro to sort of revamp this prototype of the series to work on Game Boy Color. Then Hitoshi and Yasuhiro had to go through and do that work, until 1999, as they were approaching the release of the game, Hitoshi and Yasuhiro were told by Nintendo that the would soon be released and turn the Game Boy Color into a handheld of the past, making everyone cancel their Game Boy Color software projects. Therefore, Hitoshi and Yasuhiro went through another period of reflection and began rethinking the game yet again. Several things such as its official logo, artworks and some names were changed for unknown reasons. The protagonist of the series, Starfy, was originally planned to be a starfish, but during the time of development, he went through changes to where he came down out of the sky, so one of the questions that Hitoshi is often asked is, 'Is Starfy a starfish or a star?' , and the company policy is to respond that he is neither. Hitoshi's response is simply, 'Starfy is the Prince of Pufftop'.

Marketing In order to make the game successful, Nintendo and Tose aired animated, as well as selling some promotional merchandise, such as a music album that includes a few songs sung. The animated television commercials contain the game's exposition, though it differs in some respects. For instance, in the game, Starfy was walking inside the Pufftop Palace while carrying some stuff (including the Magic Jar holding the antagonist, Ogura), until he trips and drops what he is carrying, causing the Magic Jar to fall into the ocean below the Pufftop Palace.

In one of the commercials, however, Starfy was walking outside of Pufftop Palace while only carrying the Magic Jar, until he tripped and he fell in the ocean (along with the Magic Jar). Another television commercial shows Starfy sleeping on the whale seen in the game.Despite being successful, it was released exclusively in Japan.

Hitoshi Yamagami and Yasuhiro Minamimoto were unsure how it would be accepted by any gaming audience outside Japan. It was also stated by members of TOSE that they had long wanted to bring the game and its successors outside Japan, but Nintendo of America had always thought the games were full of too much Japanese cultural references for an international release. The game was planned to be released in China on the Game Boy Advance system, but this release was cancelled due to high piracy.Reception On release, magazine scored the game a 30 out of 40, and by the end of 2002 Densetsu no Stafy had sold a total of 291,616 copies in Japan.